The novel The Old Man and the Sea by Ernest Hemingway is set in a Cuban community whose fundamental economic activity and means of survival is based on fishing activities and the dependence on fish such as primary source of nourishment. The themes of the story are depicted and revolve around an epic struggle between a veteran fisherman and the ultimate catch of his life, which occurred after eighty-four days of failed attempts at sea. The main character of both the film and the novel is the old fisherman, Santiago, and his apprentice, Manolin, who watches over the old man in his days of struggles and futile attempts filled with bad luck that have seen him go away for eighty-four consecutive days. without success (Hemingway page 11). This analysis explores the film's strengths in relation to the original themes of the novel, the old man and the sea. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essayThe action-adventure film based on Hemingway's novel is a one-and-twenty-three-hour film, a carbon representation of the messages that the novel itself contains. The message that clearly emerges from the beginning of the novel and the film is tenacity and determination; don't lose hope on your chosen profession, no matter what. Santiago never gives up despite the isolation that generates him, leaving him with the boy Manolin who believes in him and is attentive to his well-being. In the novel, the sail of his boat represented the "flag of permanent defeat", as most of the locals, including his apprentice's family, saw him as a failed and unfortunate person who at best could offer nothing to your boyfriend (Halliday¸ page 18). The tenacity shown by Santiago shows the honor in the fight and quest to never lose hope until the day he finally manages to catch a large prey, the marlin. Even after capture at sea with the marlin, he endures a three-day struggle to bring the enormous catch to shore, driving away sharks and other marine creatures that continually ate the flesh of the fish he finally caught. There are several aspects that enter into the film more clearly than they are perceived in the novel. For example, the pride and moral conviction that Santiago had in his craft was so immense that eventually only his heroic abilities and admiration from people who had berated him as a perpetual failure became evident. In his inability to bring the whole fish to shore without the sharks encroaching on his prey, the elements of greatness rather than failure eventually became more explicit. To the person who understood him perfectly and believed in him, feels a little disappointed and believes that he should have done more to reassure him of his trust in him and asks personal questions about the probable reason for his downfall, the answer he gives is "Nothing". …I have gone too far” (Hemingway pg. 178). The atmosphere that emerges in both the film and the novel is that of sympathy and compassion that Manolin had for the Old Man. The fact that everyone is closed off and disinterested in his affairs forces Manolin to take a keen interest in him and provide him with the foundation he needs to survive in the days when he can't get any prey, and there was plenty of it (Hemingway pg. 154). He offers Santiago company when he is not at sea and updates him on baseball sports through the newspapers (Halliday¸ page 14). This emerges clearly since the old man spent much of his time drawing the connection with the natural environment, considering fish, birds and stars to be his only brothers and friends. To show him more love and care Manolin became worried'.