In the film Charles Eames is the architect and the painter is Ray Eames, Charles is an architect who dropped out of school and never obtained the license but despite this he is driven by his curiosity to create or design things like those in the film, he said he was not sure if he was an architect, a designer or a director. Charles is also a charismatic goofball, but he could also be maddeningly inarticulate, as well as a notorious hoarder of credit (claiming the entire output of the Eames Office, and its dozens of young creatives, as his personal work). He was also prone to capricious hiring and firing. Ray is a painter and sculptor, she has been described as a painter who rarely painted. She made paintings about what she was surrounded by, everything she touches, she transforms into something magical. He can move things around him easily and beautifully, he saw everything like a painting. He knew what was art and what wasn't. Ray would always be behind Charles, she helps him whenever he calls her like what Charles said, “Anything I can do, she can do better. Charles depended greatly on his aesthetic genius. Husband-wife power led to their partnership. Together, their work helped shape the second half of the 20th century and remains culturally vital and commercially popular today. They were America's most influential and important industrial designers. They demonstrated that design could be an art of manipulating ideas. They were introducing people to look at the world differently. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original EssayDedicated to the freedom of the imagination, Charles and Ray refused to hold regular meetings – the kiss of death for creative people everywhere – yet they were able, through a mix of charm, energy and talent, to design what they really wanted also for the formidable companies with which they collaborated since the late 1950s, including Boeing, IBM, Westinghouse and the US government. During the 1950s, IBM turned to the Eames' office to solve the problem, Charles and Ray were sent to humanize it. In 1957 they made an animated film called "The Information Machine". They did projects large and small for IBM, the boldest project being the 1964 Pavilion where they used a 1.2 acre experimental space made up of 21 screens. When Charles made the “Mathematica” exhibit for IBM, as creative as it was, it was an attempt to make people understand what a computer could do and that it wasn't a dangerous monster that would turn their lives into a number. With the release of the first molded plywood chair in 1946 for the American furniture company Herman Miller, Charles and Ray Eames brought playfulness and color to Modern Movement design. I think they are the most influential designers of the 20th century because Charles and Ray Eames, labels like "architect", "artist" and "designer" were not boxes in which to confine one's practice, but interchangeable lenses through which to view problems, solutions and the world in general. They provide what people need, they observe who they want to serve which varies from shapes and postures, they learn from what they are doing as in the Eames Chair, they let the design flow from the learning (In structure design, it is often precisely the connection to provide the key to the solution). I think that attitude, and also the attitude that the designer's work didn't have to be clever or creative or original, he didn't have to be an “artist” and certainly not a genius. The designer's job is to satisfy a problem. Better known.