Wall-e is a kind of science fiction animated film directed by Andrew Stanton in 2008. The film perfectly depicts the possible consequences of consumerism and excessive addiction to technology. Although some accuse technology of being the enemy of humans and this planet, it is humans who are turning into their own enemies. The film impressively draws attention to the fact that overconsumption of resources and overdependence on technology are devastating for humans and the earth because consumerism is depriving the planet of its natural resources and making it uninhabitable for future generations, while technology is making us useless. Actions like consumerism are threatening the existence of this planet and technology can lead to a society where humans will turn into mindless robots and no longer care about anything and robots will probably be more humanized like Wall-E and EVE. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Wall-E is set 700 years in the future. In the opening scene we see the infinite backdrop of the universe where millions of stars and galaxies swirl serenely. This peaceful vision is quickly interjected when the director uses a high angle shot and zooms the camera, cutting through huge clouds of smog only to reveal the lonely planet Earth that was once inhibited by humans. The charming green hues of the trees and grass and the turquoise hues of the ocean are now replaced by murky yellow hues of rusted metal. This color effect is chosen by the director to present the gloomy mode and the fact that something wrong has happened. If he had opted for bright colors they would have interpreted prosperity and joy, which does not happen here. As the director continues to take overhead shots to outline the earth's miserable existence, we see a series of buildings that actually turn out to be piles of rubbish. There is no sign of life and it is quite obvious that the land has been abandoned. From a high angle shot we see a moving object, that is Wall-E who is busy compacting rubbish into cubes and piling it into skyscrapers. Wall-E is a garbage compactor robot and with his binocular eyes Stanton draws our attention to the object multitude of emotions in those eyes that give it a sort of personality. Additionally, director of photography Roger Deakins and visual effects supervisor Dennis Muren showed incredible teamwork to bring photorealistic detail to Wall-E using the lighting associated with live action photography. Among the first scenes we can certainly witness the sensation of looking at photography. For example, when Eve comes down to earth, the camera moves so fast that it seems to lose focus for a second. Stanton doesn't stop there. He further confirms his audience's doubts that this planet is uninhabitable by giving Wall-E a pet cockroach. He could have chosen a cute rat or mouse, but he chose a cockroach because it is known to survive any kind of disaster. Please note: this is just an example. Get a custom paper from our expert writers now. Get a Custom Essay As the film progresses, we witness the arrival of EVE who, compared to the small, old-fashioned and rusty Wall-E, appears to be high tech, advanced and new. Despite being equipped with weapons, Wall-E falls in love with her and tries his best to get her attention. Stanton dramatically realizes this theme of love in the silent half of the film without using any dialogue. It does this successfully by using close-up shots for.,.