The spectator, free to decide where to explore, can come across such places, exploring components of the narrative put into action. This is based on Machon's suggestion of a "deep involvement", which implies that the participant must also be invested in the performance thus becoming a willing participant, that is, a spectator who actively engages with the performance. In The Drowned Man, the viewer can be invited to dance with a performer or be involved in a conversation which gives an element of randomness to the viewer.