Flattery in Pride and Prejudice Since its composition in 1797, Jane Austin's Pride and Prejudice has enjoyed two centuries of literary esteem not for its witty dialogue or its enticing plot, but for its universal themes that allow modern readers to identify with early Victorian life. Although the novel focuses on courtship etiquette, related social rituals are also prevalent throughout the story. William Collins, a dean of Pride and Prejudice, uses excessive flattery to persuade people to look upon him favorably. He also praises himself generously to boost his self-esteem. Although the bootlicker's peculiar behavior is comical at first glance, his emphasis in the story portends a larger social significance that is illuminated by the evaluation of his flattery in relation to the plot. In Pride and Prejudice, Austin suggests through Collins' mannerisms that he flatters others to gain their future support and flatters himself to ensure individual prosperity. As for others, Austin gives Collins a motive for personal gain and later removes that goal, establishing a strong correlation between flattery and selfish gain. As the legal heir to the Bennet family estate once its patriarch dies, Collins offers unwarranted praise along with his hand. married to one of his daughters. In addition to flattering the family into marrying one of the girls, his lavish compliments also extend to his wealthy benefactress and, of course, to himself. However, Collins's compliments towards the end of the family after he did not marry in... middle of paper... dairy can have academic influence, allows Collins to stifle praise on anything that might prove beneficial to the his wealth, from which it can be assumed that flattery contributes to personal prosperity in any form. This truth quickly becomes apparent when comparing Collins' behavior in situations where he may or may not have something to gain through flattery. Of course, this banal reiteration of flattery must be particularly dull to a reader who has already demonstrated a deep knowledge of the literature by deftly navigating and reflecting on mistakes prior to this point, so it is for that intelligent and sophisticated reader that this article ends abruptly. Jane. Pride and prejudice. Norwalk: Easton Press, 1997.